This is Sriram Raghavan’s latest movie outing with the last being the so called spy movie ‘Agent Vinod’ starring the Prince and his would be Begum, which I had watched in Singapore three plus years ago. Badlapur, named after a major railway station junction in Maharashtra is a dark murder thriller bordering on a genre begun in Bollywood with the John Abraham starred ‘Zinda’ with again a dark theme. This movie resolves around a mother-son murder revolving around a bank heist in which the characters of Vinay Thakur and Nawazuddin Siddiqui aka Laik kills in a fit of rage to save himself the tamil speaking wife and son of the character of Varun Dhawan aka Raghu, the revenge filled and driven protagonist of the film. Varun Dhawan’s character is of a budding ad man whose life gets derailed due the sad murder episode. These emotion filled scene shots are narrated matter of fact by the director and cinematographer. Varun Dhawan character gives up on the conventional justice system to nail the culprits of the murder (tapping on the justice delayed is justice denied rhetoric). Varun’s character appoints a female detective played by a seasoned TV Actress, and how she extracts the initial information trail post the incident is very well narrated in the script. Laik faces a 20 year term for his heinous crime but his partner Harman (Vinay Thakur’s character) escapes with the loot and sets up a flourishing Goan restaurant with a live band and marries a beautiful woman. Varun Dhawan’s character is revenge driven with rage as he retreats to a low key existence in Badlapur town near Nashik as a Warehouse supervisor (one of which looks very similar to the authors experience outside Nashik’s MIDC Satpur’s Industrial nerve). Laik is involved with a commercial sex worker played by Huma Quraishi who ultimately becomes a keep of a politician. Huma’s character is layered and the sexual politics with Varun, Nawaz and Huma is one of the main side plots of the film. The parole politics of the ngo sector and the cancer afflicted Laik and his mother is very interestingly shown on celluloid. Rage and the central focus of revenge via sexual violence is the underlying tone of the revenge drama. The characters of the film such as Vinay and Nawaz with Huma and Divya Dutta, the single mother prison NGO worker (and her chemistry with Varun’s character) is a standout feature. The film uses Tamil and Marathi as useful linguistic contours to paint the film in layers, although stereotypes of a Punjabi Mum versus grieving Tamil In-laws aka ‘Two States’ is perpetuated. The use of graphic violence of of gore and the sexual content make the film bold but disturbing. The violence is the soul of the film. The film’s anti-climax of an ending with Varun’s character killing off Harman and his wife in cold blood to extract revenge is appropriated by the murderous Laik is a very Japanese-Korean esque cinematic treatment. The cinematography was very East Asian inspired as the direction of the film. Pune was the canvas of the film with MG Road as the main backdrop with Marz-o-rin cafe depicted in a couple of important shots with the narrow first floor seating arrangement sipping hot coffee over a serious conversation (where the author has been to a number of times). Laik is shown as enjoying cheesy Bhojpuri cinema after being released on health grounds reeks of stereotyping as the criminal being from the hindi cowbelt. The Marathi Bhajan groups singing praise in the temple in cinematic Badlapur is tasteful. Nawaz and Huma are standout performers of the film with Varun rendering a credible act, albeit a brave one vis-a-vis his contemporaries. The background score and songs move the narrative forward and the editing is crisp. A film unsuitable for young audiences but a different film with a strong ensemble cast. A film where you would not wish to watch with your parents. Sriram Raghavan does a better job this time with his potential in this film. If one has to watch the film, it has to be for Nawaz and Huma as star performers that they are; lend substance to the soul of the film.
Author: changethinker
Born and raised in Mumbai, India with an undergrad degree from Oman and a masters degree from the National University of Singapore. I am an Environmental Professional with a passion for Sustainability, Social Innovation and Governance related issues. A Change Agent in the making who believes that small is beautiful and that impact can be achieved -one soul at a time.
Article published on Huff Post India
My Article got published on Huff Post India Blog. Please do read and share.
http://www.huffingtonpost.in/manishankar-prasad/post_9005_b_6650446.html?1424068814
India-Pak sport wars: Need to get Real
As Geff Boycott once quipped during the 1999 India-Pak Test Series at the Calcutta test match ; that an India-Pak match is a parallel war theatre with the bat and the ball instead of blowing up nuke bombs (in the aftermath of 1998 Pokhran and Chughai Hills), the psyche although is very unspotsmanlike though. A mix of market liberalism and irrational nationalism makes it the most watched sport game in the history. I enjoyed my military medium pace bowling in school and college but a proxy for the LOC is unfair. Expression of nationalism on the cricket pitch is a gross failure of confidence building measures and people to people contact between our countries separated at the hip in 1947. I played cricket with my mohajir friends from Karachi in Muscat while growing up along with folks from Kerala. It is the love of the pitch that connected us in the mixed teams that we played in. Salaam’s and Hellos flowed along with more colourful lingo.
Whether we bleed blue or bleed green, there are more important things in life to pander about like poverty eradication and healthcare access in both countries than a made up media manufactured, hype driven, gladiatorial contest at Adelaide where Srinivasan and his cronies make the moolah. We are indeed in what Braudrillard called the ‘Desert of the Real’. Enjoy the game for what it is for; instead of a metaphor for war.
AAP 2.0 : Urban Activism does work
A few days back prior to the election, AAP was relegated to being an opposition player but after the electoral miracle it has captured the popular imagination of the nation. Kejriwal is the real anti thesis to Modi: Activist, Technocrat and Socialist. Both though great orators and have a down to earth connect with the masses, being original mass leaders. Modiji though with his 10 lakh rupee suit, lost his mojo. The fledgling start-up has received Series A funding from the voters to scale up and be ready for Private Equity funding in Venture Finance parlons. In short, run a total majority government for the National Capital Territory of Delhi. The anti corruption, anti VIP culture, pro poor message does indeed sell in the activism driven urban politics of the AAP. Delhi being an urban, and well educated ‘half-state’ is the microcosm of India. As the May 2014 polls for the BJP, February 2015 is a branding communications win too; this AAP victory has certainly had its messaging right. Local for local, community for community customized messaging actually very ala old Congress but very impactful, in hindsight; albeit, with too high promises and too high aspirations. A dangerous stance for governance, but an effective electoral campaign strategy nevertheless that worked. Arvind Kejriwal or AK accepted his mistake in running away from the 49 day stint, and sincerely apologized at every juncture and that connect clicked. But as the author observed during his time in Delhi during the December 2013 poll run up and the 49 day tamasha; AK was very popular with the man on the street as the core constituency was with the common man who eats ‘cholche kulche’ at the corner shop. The common man was not bothered by petty, rent seeking corruption effecting him. As AAP is an activist led entity, their eyes and ears on the ground was always present irrespective of Poll season or not. Mocked, humiliated by the Modi Brigade after the May 2014 Lok Sabha Polls, AAP went into a hibernation mode during which the Modi wave swept the nation winning state election after state election. AAP as per the corporate media was over, a one time fling. But the man on Delhi’s streets was getting impatient with a too much over confident BJP which had swept all seven parliamentary seats. BJP has always been known as the Brahmin, Baniya led Party with Punjabi support in pockets in the after partition areas. The AAP and its NGO movement progenitor India Against Corruption was a reaction against the corruption (read CWG, Coal scam) of the Congress during UPA 2. The Jan Lok Pal movement captured the moral and political imagination of the youth of Delhi. Many educated youth joined the movement as their own contribution to the country, leveraging technology of social media, and conventional communication mediums on print and radio to pass on their message to the potential voter. Catchy jingles by star music composer Vishal Dadlani mobilized the party activists to the ethos of ‘Paanch Saal Kejriwal’ or Five Years in Power for Kejriwal. This time around, the AAP’s activism was sober sans antics and the electoral management was better, Even with its depleted team with defections to the BJP (read Ilmi and Binny) they captured the right segments with a pro poor, pro minority image, leading to a transfer of votes from the Congress to AAP in addition to its own votes from December 2013. This catalyzed as landslide of 66 seats of 70. An unthinkable feat in contemporary Indian Political History for a fledgling political outfit, struggling to survive vis a vis a powerful BJP stopped its tracks. Kiran Bedi as an icon devalued her stature by accepting the BJP offer to join the party just prior to the polls. Kejriwal is a politician, Bedi is not. The veterans of the Delhi BJP did not like her and sabotaged their own campaign. In any case, the BJP has run the Municipal bodies inefficiently over the decades. Kejriwal is a street fighter with a middle class mindset and connects well with the man from the street as well as the international media in English, with Ashutosh and Prof. Yogendra Yadav; AAP has a fantastic media management team with robust research data to back up their arugments. Of course you can ‘Barely Speak’ with Arnab on the News Hour, the Fox News styled News Debate show on primetime Indian TV. Raghav and Aatishi as politicians are wonderful youth icons too. Nerdy and cool, certainly. AK and AAP defeated the supari or contract killer journalists of the corporatized media in the words of Rajdeep Sardesai (as stated in his website and also on scroll.in), himself a victim of the Big Media. The members of the AAP are normal people and that is the most powerful takeaway from the poll. Normal people can win. You don’t have to somebody’s son or daughter to win. At the inauguration ceremony today, AK was composed and collected. He is the man of the moment. His tenor was of a person in for the long haul and with sky high aspirations of the aam junta, he needs more work and less talk to start of the journey as the second term CM of the NCT of Delhi. AK chided the ‘Big Boss’ mindset paparazzi media for their 24×7 news cycle inputs and asked them to be patient for five years. AK is in here for five years for sure with the AAP. Don’t lose your activism AAP, because that is what makes you different. Ultimately Activism is about Politics.
Shamitabh: A Movie Review
This is my first Bollywood movie watching experience (and movie review in a while) after 16 odd months in Singapore; the last being the slapstick comedy ‘Besharam’ on holiday. This time around is an art house-ish film called ‘Shamitabh’ starring the legendary Mr. Amitabh Bachchan and the Southern star Dhanush better known for his ‘Kolveri di’ viral hit in wider India. The film is a satirical, spoof like take on the antics of Bollywood with a quip that why don’t Maharashtrians get a major break in Bollywood and the dual protagonist says that is the way it is in here, an artificial entry barrier. Danish aka Dhanush in the film is mute, but a obsessive film fan since he was a boy breathing cinema (there is a song track in the film conveying that thought process and persona). Amitabh Bachchan aka Amitabh Sinha on screen is a fail actor turned alcoholic who lives in the graveyard who calls it the house in ‘Mumbai with a garden’ at 500 rupees per month. Mr. Bachchan in real life was turned down by the All India Radio early on in his career due his iconic baritone and there are dialogues in the film eulogising his trademark baritone in his later years . His weakness became his greatest strength.
There are instances in the film where the award ceremony corruption has been mocked and the inevitable casting couch. Akshara Hassan as the enthusiastic Assistant Director does everything to give mute Danish a break in Bollywood. They stumble across a medical technology in Finland that gives the mute an artificial voice if they can find a voice. Amitabh Bachchan is the voice who shadows Dhanush’s character and gives his acting life. So Shamitabh is born, with Amitabh Bachchan’s voice and Dhanush’s fire in the belly to be an actor. His desire is more than his talent he says in the film and the author of this post whole heartedly agrees with the ethos. Amitabh Bchachan’s drunk/injured mirror scene from the 1970’s film ‘Amar, Akbar, Anthony’ is subtly recreated.
The tension between the voice and the mute actor’s acting explodes with both parting ways and badly faltering as independent entities. Ego tussles are emotively covered in this cinematic landscape. Love is depicted sensitively between Danish and his mother in rural Maharashtra as with Danish and his Assistant Director confidant which is romantic, but more platonic.
The ending of the film is the best as it is disability is sensitively portrayed when Shamitabh wish to confess to the world that they are two talents working as one person. They meet an accident in which Danish dies and takes up Amitabh’s so called reserved place in the grave where he usually spends his time. Amitabh who is proud of his vocal chords loses his ‘voice’. The irony is well understood. Never be vain about ones talents as it can be snatched away in a matter of seconds.
Akshara Hassan (quite a find i must say) is fresh and holds her ground in capturing screen space while scolding Danish and Amitabh on managing egos. Music is strategically used as a device to convey the story and the southern master Illiyaraja is spot on. The cinematography is documentary-esque in its technical treatment.
Balki, the Director is an Amitabh Fan Boy and he makes no bones about that. It is a sensitive but enjoyable watch in the era of mega commercial hits without any acting prowess. Amitabh, Dhanush and Akshara make the film an intellectual and entertaining watch. Dhanush is a powerhouse of an acting talent. We should see more of him in Bollywood fare.
Finally, the film is a dedication to the Valets and support staff of the acting superstars who make their life easier. They deserve the dignity. Thats a beautiful message. Kudos, Balki and Mr. Bachchan.
Modi ji is losing his way: views on Nuclear Politics and Culture Wars
(This is my first post since I have moved back to Singapore to start work as a researcher at a prominent global communications hub. I look forward to writing more often on politics, media and life in general. Keep tuned!)
The Modi Government has to understand that a combination of Chicago School Economics with identity Politics is not working as people had voted for hope and aspirations to be fulfilled in May last year and not for the rhetoric of hope. Social Welfare is in the DNA of Public Governance in India. A MNREGA and Food Security Bill as Social Sector Legislations are may be deficient in its implementation but diluting them to make space for the ‘invisible hand’ of the market is simply a mistake as the buck finally lies with the masters of the day. Social Welfare provisions are the final resort of the weak.
The optics with Obama on Republic Day are as wonderful as your speech as the Madison Square Gardens but the Nuclear Industry is (long in) waiting with bated breath to enter India to so called eradicate energy poverty for the cities as the cost of the Uranium mined in Jharkhand, Rajasthan and Chattisgarh in tribal impacted area. Tribals unfortunately have to pay a heavy price for industrialised capitalism as the power generated is sent to light up the cities when their own houses are relegated to medival darkness.
The dilution of the nuclear liability clause is a recipe for another Fukushima. The manner in which Environmental, Social and Process Risk and Safety Assessments are done in India are non comprehensive at best with regulators prone to bureaucratic and corporate influence and with the PMO acting as a facilitator of global capital, the author is at best apprehensive about the due diligence prior to construction of these upcoming nuclear hubs. The North Block will soon transform to a branch office of the Dalal Street.
Culture Wars, Sangh Style is taking over the discourse on values in India now a days with conversations rather than proper healthcare or education equity dominating the chatter. This is a shame as more than 20% of India are minorities and diluting their voice will only weaken our nations fabric, but also corrode the very essence of the idea of India.
Please correct ones course as the biggest lesson can often be the ballot box.
Why ‘Achche Din’ is more ‘India Shining’: A Review
I thought the Hindu Right, had finally changed its spots. I was understandably naive as RSS activists are ultimately running the PMO instead of technocrats. The branding communications win of the Modi Campaign infused the country with a ‘modern’ Nation Building spirit with the ‘Achche Din’ or ‘Better Days shall come’ electoral ethos. BJP has had a series of electoral home runs from Srinagar to Ranchi. Excellent, in a way as the Secularism with systemic graft model of the Congress sunk big time. The country needed more jobs to be created as policy paralysis had been in place since many many months before the 2014 polls. Development is the central totem of neo-liberal development and usually the Religious Right fuse Identity Politics with the rhetoric of infrastructure development. Chicago School Economics is the preferred school of economic thought for leaders of the BJP such as the venerable Arun Jaitley and Yashwant Sinha . Jayant Sinha, a Harvard trained former Mc Kinsey Consultant turned Politician is in the Finance Ministry with a Hindu Right Wing Ideologue Nitin Gadkari incharge of the infrastructure portfolios. The recent conversion conversation with the objective of polarization for votes is taking the BJP back on the Ram Mandir Movement pathway (read 2016 UP polls), and this will make the hot air of good governance fizzle out.
Ghar Vapsi or reconversions back to the parent Hindu fold with the lure of money is a petty campaign of the Hindu Right to deflect attention from the pressing concerns of the tribals, minorities and the disenfranchised. A few thousand minority brethren forcibly reconverted to the Hindu Fold or calling December 25 as so called ‘Good Governance Day’ will not deter Christians in following ones Faith. The Staines Murder in Baripada, Odisha had shaken the collective conscious of the nation as the Gujarat progrom. The Assam, Dhule and Muzaffarnagar episodes do not auger well for ‘Swachch Bharat’ or Clean India when some politicians are responsible for riots.
‘The Make In India’ Campaign is glitzy and creative as the ‘India Shining’ campaign (the death knell for the BJP in 2004 in fact), but has no relevance for the farmer suicides afflicted families in Vidarbha. Acchche Din does not mean dilute Environmental and Social Laws without taking in to account the marginalized or saffronize the Education System by trampling rational thought.
We need Inclusive thought, a balance somewhere between the Rabid Right and Extreme Leftist thinking as place for religion is vital but within the four walls of the home. The separation of the Mandir and the Mantralaya is sacred although our public sector functions start with the lighting of the lamp. Is this the ‘Achche Din’ that you had offered Mr. Modi?
A Writers Year : In Review
This Year has been a year of rapid personal transformation. Started off the year in the freezer of Delhi’s winter and i then flew to Muscat and Mumbai for a fortnight in February then back to Delhi to start off a new assignment that became a major M&A news this year. I had the splendid chance to travel to Baroda (the infra in Gujarat is pretty cool) in March then had an amazing Oil & Gas International Assignment from April to June. I then had the opportunity to travel to Mumbai, Nashik and Pune in June, July and August where I experienced the Maharashtra Story prior to the Assembly Polls in an intimate manner. Visiting Trimbakeshwer Temple in Nashik was certainly was one of the highlights of the year.
I studied and wrote about Urban Subaltern community in Nashik, where the politics and the neo-buddhist imagery struck me. This year is of the Year of Narendra Modi and the decline of Brand Kejriwal. I wrote about the communications victory of Modi at the Ballot box and the failure of Political Start Up called Aam Admi Party.
This year is also the year that I move back to Oman to work and had the opportunity to travel to Duqm in south-central Oman where a new city is rising from the ashes in an effort in Nation Building.
This year is the year, in which I started writing book and movie reviews. Interstellar was the stand out film. Classic Nolan indeed. Samarth Subramanian’s ‘This Divided Island’ on post war Sri Lanka was deep and moving.
A year of change and bonding with friends and family was the hallmark feature of year of this writer. Many more tales to share in 2015. This week also completes four years of this platform. Thank you for your support.
Seasons Greetings Folks.
Eat. Pray and Love more.
This is something that our popular neoliberal , consumerist culture fails to communicate that marriage and love, is not about a rock from tiffany or a honeymoon in the Maldives but its about companionship and sacrifice. A model from GQ only looks good on a magazine cover. In the end it is trust and the ability to reach an extra mile that matters. Do not commoditise love.
Human Values are universal. A Mother cares its child, a couple cares about each other. Globalised Cosmopolitanism have set expectation settings too far. The sociological imagery of a grand wedding and a life beyond means earned makes things rather unworkable.
Let us all be reasonable and try to understand a shade more. A relationship is not a product. It has a soul. Feel it.
From Ferguson to Sydney: interrogating media narratives
Extremely sad to hear the loss of a young cricketers life today. Prayers and condolences to his family. But i am wondering if the same global media hype would have been created if a Zimbabwe batsman would have been hit. A need to interrogate majoratarian media narratives from Sydney to Ferguson.
Feruguson is a case in point regarding fissures beneath the surface emerging every time a social crevice opens up. Class, race, gender inequity and general socio-economic realties aggrevate stresses in society. Media as the fourth estate, too is political and inherits inherent politics biases. These biases drive the conversation. Power dynamics drive communication and subaltern voices such as the African-American Community in Ferguson are drowned out, overpowered by dominant voices such as Fox News or ABC News with the interview of the shooter policeman.
A Black 18th year old’s life is not precious enough but a white man’s argument is upheld by a unrepresentative grand jury. The media narrative has to be inverted, and this authors humble attempt is in opening up a window in this biased discourse. Social Media and the internet mediums render that platform fortunately.
Change Thinker 