Non Profits as Innovation Incubators

Fund Raising is the common concern of start ups and nonprofits. I guess Innovation should be another core strand in that aesthetic. Any venture which is innovative, is not in alignment with the existing structures of commerce and social constructs. Aggregators have clicked because of the convenience it renders to the consumer. They are connectors, and when they started, they were innovative, now they are the status quo, an important characteristic of the status quo is when even the established business class, the traditional mercantile groups globally whether it is the baniya or the east coast jew, or the west coast VC jump in not to solve issues via disruption, as no one does disruption or innovation out of the blue. The vexed matters such as urban homelessness have been around for decades, no one has seen money being made easily. The aggregators have a proof of concept. Lets make sanitation sexy as Jack Sim says. Or let’s make the difficult classy. Innovation works on many hierarchies. Innovation, does not pay upfront, as there is no market. That market has to be curated.

Non Profits are true incubators of disruptive ideas, start ups have a valuation imperative. Non Profit start ups, have funding issues, but they can be a grant magnet very easily once they have built the correct platform. Prasoon Kumar whom i am working with has a great innovative product for the urban homeless, is right up the alley for creating a ripple.

 

Collective Action in the Digital 

The so called digital economy crumbles, when transportation technology aggregator business models are not cost efficient, raise and burn cash to gain market share and finally when the crunch comes, the incentives are slashed, the ‘achche din’ for the cabbies are gone, most of them made almost two lakh every month, took on hefty bank loans to finance the sedans, now brace a slowdown in income. The OLA-Uber collective labor action aka strike paralysing local transport in Delhi, rewinding back to the pre digital era where autos ruled the road. After traversing diagonally to Noida from south Delhi yesterday via the good old auto via the standard meter rate, I would say they are truly the masters of the local ecosystem. The convenience of the transportation aggregator was surely missed; the GPS, the e-wallet payment etc. The standards of service have risen. This collective action, reveals how traditional urban life is. One strike can impose cracks in the era of the digital.

Need more icons

The social media jubilation over the ISRO launch only reveals the paucity of centres (read oasis) of excellence in India’s public sector. Only if we had moonshots as far as feeding the hungry, a second green revolution and housing the urban homeless. A country of a billion and a quarter, has too few present day national icons to celebrate (read vent) our national pride. A civilisation state needs a few more moments of celebration than cricket world cups and PSLV’s? We even go gaga over a flicker appearance of an Indian actor in a trashy Hollywood flick.

Writing about Written Art

If you pound the pavement, immerse oneself in a community, solidarity and stories flow, the digital pen suddenly takes up a form of authenticity. The entire mad rush for stories, to ‘build a portfolio’ mindset is the main reason for shallow writing. If there is a listicle site, you have a Caravan too. Written text is more than mere words, writing happens before the word is typed and after the word has been typed. Text is imagination, and takes up a life on its own once it is done as it is archived and is the realm of the scholar. The written work as visual art is quotidian politics. 140 characters or 5000 word long read, the art is there. Writer goes beyond the data, while the scholar is defined by it.

Change is not a totem

Change begins in your own cubicle, and the next one to you. Talking about impact as a corporate communications trope sans looking after your own corporate kin, is although the dominant narrative fizzles out. Look after the folks in your neighbourhood, office; global change is incremental in this post sustainability era. Small is beautiful.

Modern Subject is a Digital Subject

History is often known to be the winners version of events as we had read in our poorly written school books. The voice from the other side, the subaltern have often been excluded, as the historian is often commissioned by the ruling elite to construct historiography of the phenomenon, event, era or time period at hand in manner that protrays the winner in a positive light. Data collection was a tedious affair and analysis of the data was a task of the professional historian, the preserve of the expert to connect the threads of the landscape of the past.

The statistical was primarily the realm of the state with the census as its core register. Assessing Government data sets were laborious and time taking. The world of government data is now real time, with geotagged locations and tablet enabled data collection as in the case of the 2017 Economic Survey in India, bringing in the tools of innovation in governance. Thermal heat imaging is used for estimating the homeless in the section on migration in the report. This datafication is a technologically turbocharged phenomenon. The satistical subject is now datafied, in an ever present post modern panoptocon, where his/her every development is coded, from the biometric Aadhar to how much he pays for his medicines every month through Paytm, since demonitisation killed the cash economy three months back. The survelliance is real, under the smokescreen of expanding the tax collection net.

The advent of the Big Data, Social Media and Analytics era where real time narratives are created every nano second and putting the maxim of journalistic writing as the first, rushed up draft of history to shame as every one with a smart phone, a data pack and Facebook/Twitter account is a prosumer of content. The smart phone is the erstwhile OB Van, as a former BBC Correspondent quipped at a future of journalism seminar in Delhi on 6th December, 2016 at the tony India Habitat Center.

The image is also no longer the realm of the documentary photographer with instagram recording our times, meticulously every moment. But, this recording of events in bytes is not decoupled with the politics of our time. P Sainath, the founder of the People’s Archive of India, a digital crowd sourced online archive of the soon to be forgotten arts and cultural practices of India says, that the online sphere is reflective of the fissures in real life.

Social media creates real time narratives of events and phenomena, and thus helps curate the emergent present. The digital is a reflection of the emergent present: a reduction, exposition and inversion of the present. Digital content is unmediated, although skewed algorithmically (the articles on facebook feed mirrors our likes and shares) is a battle ground for narrative warfare, a perception battle where there is ‘Fake News’, unverified prosumer content, which can sway actions in crisis situations in the real world. A Earthquake, aterror strike or an electoral victory, triggers an avalanche of data which is manufacturing the technologically mediated present. The digital is the force creating an emergent present, a modern that is constantly buffering in the background as new feed is created.

The archives of the digital, is the cache, while the cache grows every moment as the ‘present’ moves forward, with every tweet. The digital landscapes of the past has a sand shifting form, with articles from a decade back no longer available, i beg to ask: is this because the text online was not considered serious enough? Online platforms emerge, evolve and dissolve everyday, as they do not have the same media permitting demands as a printed magazine. The digital is killing the traditional printing star, to appropriate an adage, hundreds of journalists being fired as a freelance gig economy based on an app takes over.
As the Principal Economic Advisor of the Indian Government and Urban Theorist, once said at a prominent book launch last year in Singapore ‘I did not like how history was written in India, so one day i woke up and started writing history’

The role of the historian to sift through big data and make sense of an ever updating archive is the central dogma in framing of the modern subject. A modern subject is a digital subject, citizen and consumer rolled in to one.

Power Elite are never Migrants

Really interested in the Sindhi mercantile diaspora in HK/SE Asia. Any suggestions? The Gujaratis, Tamils and Punjabis are pretty well covered in academic literature. The Bangladeshi diaspora too has a rich tradition, increasingly covered in scholarly work. The Delhi Academic Circuit is pretty ambivalent. The power elite never has to be migrants, either internal or transnational I guess.