Instagram and to a limited extent Facebook are digital exhibition platforms which are moderately democratic based on the typology of the followership (religious term in its origins). There are so many wonderful places where I can’t physically be present but the feeds of numerous scholars and visual artists offer a slice of life previously limited to the white gallery walls in metropolis. In the post text world, which I personally abhor as it dumbs down the story, visual is a powerful medium to solicit immediate response however the ethical minefields of representation.
Good street/documentary photography needs an educated mind. The filters on Instagram are aesthetic choice architecture at best. Choices determine the form and character of the artistic endeavour. Fake news and good photography are defined by empiricism, empathy and a commitment to making the world better, one frame at a time.