‘This Changes Everything’ by Naomi Klein : A Book Review

This Changes EverythingI initially came across Naomi Klein’s work in decent detail when I was a tutor to an undergraduate class on Globalization at the Nanyang Technological University, Singapore where I had an opportunity to share regarding her iconoclastic work ‘Shock Doctrine’, elucidating the notion of ‘Disaster Capitalism’; where she was critical in deconstructing the Chicago School Style Free Market delusion which created a mess in many a Latin American Economy. The shocks via war and policy interventionism to society and economy by predatory capitalism formed a situation in which capitalism had a free run, often with catastrophic results such as Iraq and Chile.

Naomi Klein extends this train of thought to Climate Change in her latest intellectual work – ‘This Changes Everything’. Her surgical critique of the impacts of extractionary Chicago School Capitalism in aggravating the impacts of the meta, all consuming phenomena called Climate Change. Naomi Klein’s engaging activist commentary focuses on narratives such as extreme weather events. She presents the social and political context in which Climate Change has transformed in to a hot button issue. Naomi Klein labels it as a ‘Civilizational Call’. Normative and Powerful, this read is not meant for the scientific community but for the main street to appreciate the back story of environmental activism.

The book exposes the intricate details of the ideological system of Environmentalism and the various efforts made my climate denialists to dilute the cause of efforts of effective Climate Change Action. The important take away was securitization of the Climate Change discourse in order for it to taken more seriously by heartland USA. It reminds me of the Non Traditional Security Institute seminars at the Rajaratnam School in Singapore in Resilience and Climate Change I had attended as a researcher at the Nanyang Technological University.
The basic assertion which Klein makes it that process and activities triggered by market fundamentalism have accelerated anthropogenic climate change. A thesis tilts towards the left of centre as western culture’s extractivist designs imbued in predatory capitalism is heavily pounded upon. She has the gumption to reveal the paradoxical relationship between the fossil fuel industry that is incredibly carbon intensive and the environmental movement. Hypocrisy is to be exposed for truth to emerge, and normative initiatives to be strengthened. Kudos to Ms. Klein on that point.

The book as her last one, has sharp anecdotes and data points which form the backbone of her story-line. This book is a good addition to the green literature landscape though not as seminal as the ‘Shock Doctrine’.

Happy New Year: A Movie Review

Happy New Year is an exercise in cinematic excess and a Fan Girl tribute to SRK by Farah Khan. The Film is nether a thriller as its inspiration the Oceans Eleven Series, nor a complete comic spoof as Om Shanti Om nor a Dance Film as ‘Lets Dance’ or ABCD. A mashup that simply does not gel apart from stunning visuals of Dubai. Although SRK and Deepika are sincere, the film’s plot and editing could have been lean and sharp. The humor is purile and slapstick as Farah’s Brother Sajid has demonstrated in his rather elaborate cinemascape.

Vishal Dadlani and Anurag Kashyap have a gay comic scene exposing the hypocrisy of Reality Talent Shows that’s rather in very poor taste. The music for a dance based film could have been better.

The amateur attempt in evoking sentiments in Long Distance Nationalism during the film were targetted at NRI Riyals and Pounds at the Ticket Counter, and thoroughly reminded of Modi’s Madison Sqaure Garden Hysteria (there is even a Modi Look-alike in the film). SRK please head back to your Swades roots. Pun intended.

The Lahori Chole Puri and Chai with my Dad opposite my childhood theater in Ruwi after the movie really made my day.

Chetan Bhagat re-defines Indian English Writing, finally

Chetan Bhagat is a polarizing figure: an icon who democratized Indian Writing in English for the masses- made a first gen literate person to read ‘Inglis’ and make it cool to brag to your girlfriend or He is demeaned by the literati for being not writer enough as an Amitav Ghosh or Hari Kunzru. Chetan along with Amish have re-defined Indian Writing in English for the domestic audience and not for the Literature Festival circuit crowd. For an IIT-IIM Banker Quant Geek to express the story of his life through ‘Five Point Someone’ and ‘Two States’ were interesting, entertaining reads that had a genuine connect unlike ‘Revolution 2020’, which had the punch for a Phillum Script rather than a book. But, Chetan speaks for the educated post liberalization India who aspires for class, even if the person is not born into class. ‘Cattle-Class’ is the new Class Mr. Tharoor (a minor disclaimer- i am a Shashi Tharoor fan).

Chetan has the pulse of new India, even if his writing can improve in terms of style. His writing involves the polar paradox of a beautiful rich girl and a rural boy, with generous dollops of sex in it (a crucial ingredient for entertainment of the masses). His latest Half Girlfriend, a read which I took three hours flat is entertaining; a love story of a rich girl searching for her identity and well meaning driven rural Bihari boy divided into Elite Stephanian Delhi, NGO sector Bihar and United Nations New York has a contemporary narrative of aspiration, love and globalization. A story which is aptly fit for a Bollywood Film, but one that has a real connect with the new elite and the upcoming masses. Romance in the age of globalization as i would frame it in one sentence.

Chetan should be sent to Rajya Sabha by the BJP and PM Modi. He is a great observer of our times, as a writer should be.

Bang Bang: A Movie Review

‪Bang Bang‬ has a certain thud to it, if not the proverbial explosive boom as anticipated. Hrithik and Kat have awesome chemistry and, are the soul of the rather thin story driven venture. Stylized to the T, should have had more substantial character actors weaving the narrative of an espionage drama. Inspired from a Hollywood Thriller (How inspiring is that Mr. Anand); Bang Bang’s strength is the exotic locales of Prague, Abu Dhabi Yas Marina F1 Track and South East Asia in which the incessant action scenes are shot. Hrithik’s dancing and six pack abs plus the oozing oomph of Katrina sizzles up the screen amongst rather mediocre performances of the supporting artistes. Enough eye candy for the raging hormones. Danny as the principal negative character with Javed Jaffery as his sidekick was an interesting villain choice. Danny has a presence on screen to face-off with Hrithik.

More importantly, it was my first movie watching experience in Muscat with my Dad in a Decade. Priceless.