Many do not take a writing class throughout their education and are expected to write technical reports for their careers.
I am fortunate to have had graduate school critical social sciences training after my engineering masters at the best universities in Asia under the tutelage of some fierce supervisors.
It’s a rarity to watch anything beyond the standard podcast-scape Information diet being an entrepreneurial hack currently. Being a Mumbaikar and a Bollywood buff, it is therapeutic to watch a phillum on the big screen. Chhava, an ode to the historical memory of Chhatrapati Shambhaji Maharaj, was a power packed statement on both history and politics alike as cinema is a political medium.
A brilliant performance by Vicky Kaushal as the Maratha King who bore a gruesome end at the hands of the Mughals, was a point made about the bravery of the Marathas to keep Aurangzeb, who does not have a good memory in the Marathi speaking regions given his stance on Jazia tax, on the non Muslim subjects of this rule, and his cruelty on Hindus apart from an Princeton Historian of note.
Akshaye Khanna as Aurangzeb was outstanding as the aging emperor, Machiavellian and Menacing. The narrative arc moves in action set pieces and flashback which is effective. The war sequences are gladiatorial in grammar, and give the Marathas due credit for its clandestine warfare. The ethic of Hind Swaraj as inclusive with the King in Battle saving a Muslim child in the midst of warfare is a loud metaphor.
The movie speaks to the contemporary politics of Maharashtra and the Cultural Nationalist Zeitgeist of the times. Bollywood has made plenty of films on historical figures which were not popular pre 2014.
An honour to be on a panel with parliamentarians from New Zealand, India and Tibet and stellar academics sharing thoughts on the geopolitics of critical minerals in the transition landscape. Many thanks to @redlanternanalytica for the kind invitation to speak at the Siang Dialogue 2.0
Transition and climate does not seem apparently political however geopolitics infects and inflects its contours.
It’s a time of a meltdown where policy shock and awe is taking place. The normal has been upended and hence the powers to be are unable to push back. A response and a resistance also takes time to marshal.
A world making phase is here, and creative destruction is occurring.
I have been blessed to have great Farsi/Ajmi fare in Special Ostadi in Bur Dubai, Kateh in Kuwait City and Shabestan in Masqat and love the simplicity of the pulav. Bombay has its Britannia for Parsi fare, Jimmy Boy close by also matches its heritage credo with equal gusto.
Mommy Joon’s Kaboodeh, or commonly known as the Chello Kebob was near to the greatness of a Special Ostadi where the Ajam, was felt each morsel of pulav.